#The impression that i get lyrics full

Though Shires is sometimes mournful and subdued, she’s just as often trying to provoke a reaction, to recapture the spark she longs for by setting a fire and watching what happens. That change is at the root of many of these songs. Eventually, inevitably, that feeling transforms into something else as people get comfortable, or busy, or distracted. If her lyrics here are often forceful, they’re also always evocative and sometimes even elegant, whether she’s revisiting her fondness for bird imagery or seeking the thrill that accompanies a new relationship. No wonder it hasn’t been easy to find a balance.įor all her strong feelings on Take It Like a Man, Shires remains a poet at heart. She has kept busy recording, touring on her own and with Isbell’s band, and forming her Grammy-winning country supergroup The Highwomen-not to mention struggling through a pandemic that threatened her livelihood. She got married, had a daughter and lost a subsequent ectopic pregnancy. It’s not quite right to say that she was naive back then, but Shires, who turned 40 this year, has covered some miles since. It’s also her most emotionally resonant collection of songs since her 2011 LP Carrying Lightning.

#The impression that i get lyrics full

It’s a fraught album, full of thorny feelings and barbed lyrics. She doesn’t offer many soft landings on Take It Like a Man. Not everyone has the guts to hang all that laundry on the line in full view, but Shires has always had a tendency to say what’s on her mind, however bluntly it may come across. (If so, the coast of Maine is nice.) Then again, it’s no secret that relationships are complicated, even if you’re not a public figure. Add in that Shires is married to someone who’s also famous (that would be Jason Isbell), that the bulk of these songs trace the bumpy contours of their marriage and that he plays guitar on seven of them, and you can’t help but wonder if their bond is uncommonly resilient, or whether this year’s family vacation is still on. That’s tricky enough for someone who lives a fairly public life in her own right. I didn’t hold anything back,” Shires said. “Everything on the record is autobiographical. Each of the 10 songs on her new album, Take It Like a Man, comes directly from her own experience, a point she emphasizes in the press notes for the album. The exceptional harmonies and arrangements were still in place, but for a few songs it was clear that Mayfield had tired of concocting novelties that looked back to the age of doo wop.Plenty of musicians take great pains to create distance between their lyrics and their personal lives. A few of the songs were hauled out from as long as three years ago, like Mayfield's own version of 'Can't Work No Longer,' a Billy Butler hit he'd produced (also in 1965). The two winners were 'Woman's Got Soul' and 'You Must Believe Me,' both in a similar brassy, uptown mode as expected from the Chicago soul kingpins. That career touchstone aside, the rest of the material on the LP wasn't as strong as Keep on Pushing or the Impressions' marvelous debut.

One of the most beautiful songs of the '60s, 'People Get Ready' set the oft-used 'gospel train' as its theme, with Mayfield speaking of faith for the present and deliverance in the future, while Sam Gooden and Fred Cash contributed beautiful harmony vocals (and a few lines of their own).

As with the previous year's Keep on Pushing, People Get Ready featured another big Curtis Mayfield hit, one that made as strong an impact on the civil-rights movement as on the charts.